Summer BBQ Bangers Courtesy of Swim Into The Sound

The dog days of summer are officially here, which means for the next couple months, it’s time to make the most of the scorching temperatures and extensive sunlight; just don’t forget your sunscreen. The time is now to venture outdoors and embrace everything the summer has to offer, from outdoor festivals to walks around the park and ice cream excursions (save me a scoop of strawberry). 

Here at Swim HQ, we firmly believe the best part about summer is backyard barbecues with your friends and family. There’s something about that grill smell combined with the warm weather and people you love that brings the summer together better than the macaroni and cheese your favorite aunt cooks. There’s only one thing that separates an all-day rager from a total snooze fest. Can you guess what that is? No worries, I’ll just go ahead and tell you it’s all about the music

Music is the key component at any pool party, barbecue, or box social you have ever attended. The stakes get raised even higher during the summer because everything revolves around large gatherings of people outside trying to live their best lives in the heat. So, a perfectly curated playlist created by your own bare hands is the cherry on top of the sundae. 

There's no better feeling than seeing everyone bobbing their heads and strutting their stuff to songs you painstakingly sourced from your streaming services. Setting the party off with an immaculate playlist in America is the equivalent of being knighted in England. The only difference is that people across the pond get medals for their achievements. What laws must we pass to get trophies handed out to people who can turn a party out with their musical taste? Imagine showing up to a barbecue holding three trophies from your musical dalliances; talk about an icebreaker. 

I know what you're thinking: what makes for a good summer barbecue rock song? You can go a few different ways. The nostalgic approach is a surefire home run; go with a song everyone knows that brings back memories of yesteryear. Alternatively, uptempo pop-leaning rock is another genre that can't miss, music that is easy to digest while people are eating food that isn't so digestible. Lastly, if you want to show off your musical knowledge, sneak some underground bands into the playlist. What better feeling is there than seeing folks trying to Shazam the songs that you’re severing up off the queue? 

The only “BBQ don't” is to avoid any Nu Metal, and I say that from personal experience. Heed my warning: if you play even three Limp Bizkit songs, a gang of bros will magically appear like Beetlejuice, breaking glasses and stepping on furniture while wearing backward caps. Instant mood killer, trust me. 

Now that you know the rules of the game, it’s time to construct your playlist. Below, you will find some choice selects from our esteemed Swim Team. Feel free to use these songs as jumping-off points for your own backyard summer barbecue to set the vibes in the right direction and maybe even earn some bragging rights as a supreme music curator. 


Nickelback – “Photograph”

Roadrunner

I personally guarantee that more than 75% of BBQ attendees will pretend not to know the lyrics to this song, but I posit that Nickelback is the ultimate summertime guilty pleasure. Despite pushing 20, “Photograph” still sounds like just as much of a hit single as it did when it was first released. Plus, the song is the perfect conduit for classic BBQ conversations like ‘Remember when we went and did that thing at that place?’ and ‘Hey, what do you think Blank is up to these days?’ With the benefit of hindsight and time, these middle-school-joke songs have now become dad-rock classics. And even though it’s incredibly indulgent, the song is self-aware, reminding us that memories are meant to push us forward, not trap us in the past. Bonus points for giving a Canadian cultural export airtime at the USA’s birthday party.

Braden Allmond - @braden.allmond


Oso Oso – “all of my love”

Yunahon Entertainment

It’s important to have a song at your BBQ with some quick claps in it. Clap-clap-clap. There’s a good chance your get-together will be made up of people you’ve met at various stages of your life, some of whom don’t really know each other. Giving everyone a chance to clap together will do a lot to build comradery/save you the headache of an awkward party. Not everyone will know this song, but because it’s short and very good, you can probably get away with playing it like five or six times over the course of a few hours; once repetition three hits, people should get what’s going on, and from there, you’re all set. Everyone will be clapping together (clap-clap-clap), laughing, and sharing stories; it’ll just be a good time. Getting a bunch of people together can be stressful, let “all of my love” do some of the heavy lifting so you can focus on the grill.  

Josh Ejnes - @joshejnes


XTC – “Summer’s Cauldron”

Virgin Records

Almost 40 years later, I’m still not sure why you’d release an album like XTC’s Skylarking in October. Beyond the sounds of bees and heavy humidity that open “Summer’s Cauldron,” the British band’s Todd Rundgren-produced masterpiece is essential dog days music. It might evoke walking through a wooded clearing at sunrise after taking mushrooms more than grilling brats, but it welcomes a warm weather mindset no matter when or where you’re listening. You don’t have to be lying in an English countryside field to appreciate “Summer’s Cauldron” — in fact, it proves just as potent out on the porch, soaking up Minnesota’s eclectic summertime. XTC’s dappled psychedelic pop shouts for the sun to join in the party, even while Andy Partridge sings of drowning “under mats of flower lava.” This is also how I would want to go.

Aly Eleanor - @purityolympics


D’Angelo – “Spanish Joint”

Virgin Records

D'angelo's Voodoo is a hot, thick, sweaty, and bright delight for all five of your senses. The album is peak summer for me, largely due to my association of it with the Texas heat I was enduring when I first heard Voodoo, but also because of how perfectly the drums ooze along with D'Angelo's sighs and cries. “Spanish Joint” falls on the bright and hot side of my earlier sensory evaluation. The song bounces through plumes of charcoal smoke and screened doors with ease and is sure to have everyone within earshot head-bobbing along. “Spanish Joint” is the open-toe shoe that is sure to fit your summer backyard BBQ, and if it isn't, then please don't invite me.

Kirby Kluth - @kirbykluth


Switchfoot – “Meant to Live”

Sony BMG

The pineapple is fresh off the grill, the jackfruit shredded and coated in sauce, and spirits are high. Suddenly, you hear it: the riff. Despite the arena rock energy of “Meant to Live’s” opening, vocalist Jon Foreman finds space between the larger-than-life instrumentation to softly tell of someone who feels as though the world is passing him by before building into a raucous, infectious plea of a chorus as he longs for something greater than merely drifting through life. Going into the bridge, Switchfoot briefly pulls the song towards a softer dynamic space as Foreman pleads for “more than the wars of our fathers.”

I take this song as a reminder that there’s so much work to do if we want to ensure we’re not fighting our parents’ wars and passing them down to future generations. It’s a call to action in the face of multiple genocides, civil rights being rapidly stripped away in America, and an election that seems as though it’s destined to make both of these issues worse no matter the outcome. I also take it as an invitation to remember that within the community that’s built and reinforced through the summer BBQ, we have managed to find part of the “so much more” that Foreman cries out for. The riff comes back. You get a second sandwich. After all, “we were meant to live.”

Noëlle Midnight - @noellemidnight


AC/DC - “Shot Down in Flames”

Leidseplein Presse B.V.

When in doubt, the Godfathers of Summer Barbecue Rock will never steer you wrong. You want something familiar and catchy when at a barbecue or party, especially in the summer. Something that casual music fans can latch on to for dear life and will get everyone to start tapping their feet uncontrollably. AC/DC checks off more boxes than an election form. From the chunky riffs, up-tempo music, and absolutely filthy guitar solos, they will have your party cooking with gasoline. “Highway to Hell” is the obvious choice here, but it’s incredibly too expected; that song has been played a kajillion plus 1 times to death. Instead, go with a song from the same album, “Shot Down in Flames,” it’s just as energetic and rowdy also, you still get that same jolt of electricity as “Highway to Hell,” but it feels light a slight flex by picking a deeper cut.

The good thing about AC/DC is that they have generational music, and Bon Scott’s raspy/high-pitched vocals pack a knockout punch that will scratch every itch in any generation. So fear not, kids today would be crushing hard seltzers all day under the scorching sun to this song. Say you’re with an older crowd, though, it’s an instant light bulb moment for them to reminisce about listening to them for the first time or hearing about how AC/DC was their soundtrack for all the youthful shenanigans they got into. Were your Mee Maw and Pop Pop rebels back in the day? Who knows? Let’s find out by putting on “Shot Down in Flames” to see what happens.

David Williams - @davidmwill89


Chicago – “Saturday in the Park”

Columbia Records

Few records are worthy of making the cut for a summer BBQ playlist, but anything by Chicago is a non-negotiable add. Maybe my love for the band is driven by nostalgia or maybe it’s my unabashed love of wearing socks with my Birks. Either way, “Saturday in the Park” is a guaranteed success for the backyard bash you’re planning. Robert Lamm and Peter Cetera’s smooth harmonies, backed by chipper drums and warm brass, are impossibly catchy - before you know it, the whole party will be singing along: “Saturday in the park / I think it was the Fourth of July.” Hot dogs sizzle on the grill, the Miller Lites in the cooler are icy cold, and your new neighbors Tom and Barb just arrived with potato salad in tow. You’re wearing the “Kiss the Chef” apron that your brother-in-law gifted you for Christmas (you pretended to hate it, but secretly, you’ve been dying to bust that bad boy out). Like Robert said, it’s “a real celebration, waiting for us all.” Cheers!

Britta Joseph - @brittajoes


Petey – “I Tried to Draw a Straight Line”

Terrible

From his raspy voice to his NASCAR enthusiast aesthetic, Petey feels like he belongs at a barbecue with a Miller Lite in a koozie. You look at his vintage tees and beaten-up hats and can instantly smell the charcoal lingering. While all of his 2023 album, USA, is ideal for flipping hot dogs, “I Tried to Draw a Straight Line” is the quintessential grilling song. On the surface, it’s charming background music with a dancey beat to which people nod their heads without even noticing. The lyrics are a stream of consciousness you can easily hear being spoken over the sound of sizzling beef. “Yeah, I’ve been kind of angry since the Kings lost to the Lakers in the Western Conference Finals.” These seemingly banal thoughts are interrupted by moments of sheer panic. “Why you looking at me like that? Are you wishing that I was dead? Am I making you feel uncool? Is it something that I said?” Later, he spirals as he goes from talking about tricks he learned in his childhood to wondering whether he deserves to one day be a parent. This is a millennial barbeque at its finest: Nathan’s Ballpark Franks, Boca Burgers, and existential crises. If no one has volunteered yet, I’ll bring some tomato salad. 

Lindsay Fickas - @lindsayfickas


The Menzingers – “Bad Catholics”

Epitaph Records

It could be the religious background, the Irish heritage, growing up as a suburban white kid raised on rock and roll, or my penchant for consuming more alcohol than I should. Whatever the reason, The Menzingers are a band that have resonated with me deeply ever since my best friend showed me their song “Midwestern States” back in our early college days. Not only are they one of the best millennial American rock bands of our time, but there is something about their sound and identity that bleeds classic rock vibes, Americana, drinking too much, hanging out with your buds, and causing trouble. Given those qualifications, it would not be out-of-place to hear one of their more sunny, easy-going tracks blaring out of a waterproof speaker in a millennial dude’s backyard somewhere in Anytown, USA on a sweltering summer day. While just about any track off their 2017 record After the Party could fit the bill, “Bad Catholics” has been on my summer playlists since it first graced my ears. The straightforward riffs, steady pre-chorus, and sunny, danceable hooks create the best environment for cracking open a cold one in a beach chair that’s one light breeze away from breaking in half. Lyrics describing a church picnic and children running around with “orange soda mustaches” further elevate the spirit of the season in this banger that, once you hear it, is sure to make its way onto your own BBQ playlists this summer. 

Ciara Rhiannon - @rhiannon_comma


MJ Lenderman – “You Have Bought Yourself A Boat”

Dear Life Records

“It's plain to me to see / You have bought yourself a boat.” Never before in the history of music have the stakes of an artist’s entire vibe been captured so accurately and so succinctly with the opening line of a song. With a charming North Carolina drawl and plenty of breezy twang, MJ Lenderman has been a staple of my summertime playlists for a few years running now. In fact, my love affair with Lenderman’s particular style of southern slacker rock ignited on July 4th of 2022 as I kept Boat Songs on a constant rotation throughout my entire four-day weekend while hanging on the Oregon Coast with my family. I came out the other side half hungover, buzzed on burgers, and with a newfound zeal for all things MJ. In the time since then, my adoration for his personable, everyman aura has only grown, amplified with each subsequent single and live album. While you might have thought I’d go with a more grill-based MJ song, the bright, summertime breeze of “You Have Bought Yourself A Boat” feels like the ultimate summation of feel-good grillin’. I’ll see y’all at the cookout.

Taylor Grimes - @GeorgeTaylorG


Funkadelic – “Can You Get To That”

Westbound

When I started to brainstorm a perfect BBQ song for this prompt, my shortlist borrowed heavily from my dad’s music library (he’s the one who got me into The Hold Steady and Wilco and Steely Dan). But only one of those songs was one that my grill-enthusiast father once asked me to play at his funeral. That’s right, when my dad no longer has a life (or rather, when life no longer has him), he wants to go out to the bluesy psych rock grooves and shimmering harmonies of Funkadelic’s “Can You Get To That” (Bonus points if you also add Sleigh Bells’ “Rill Rill,” a track that brilliantly interpolates Fubkadelic’s timeless melody into  futuristic electropop Americana.) This backstory might seem morbid, but at this point, I’m used to having the kind of parents who have no qualms about dropping their funeral requests into casual conversation. We only have so much time on this earth, so why not use it to grill some burgers? While you’re at it, why not throw on all of Maggot Brain in its mind-bending entirety?

Grace Robins-Somerville - @grace_roso

Queen of Jeans – All Again | Album Review

Memory Music

In my head, there are only two possible outcomes in a relationship: marriage or a devastating breakup. Some (my therapist) might call that black-and-white thinking, but it feels real to me. That worry is enough to keep some people from ever forming a deep connection with someone. But is that something that should even be considered? Is that thought process just dooming the relationship before it even gets started? Breakups often taint any good memories shared between a couple, leaving a bad taste in at least one party’s mouth when they look back at everything. Are the relationship’s good times erased because of the last moments? Were the butterflies and giddiness worth the devastation of the end result? I guess it all depends. 

Photo by Brooke Marsh

Philadelphia’s Queen of Jeans tackles these thought spirals on All Again, their first full-length LP since 2019. On the record, Miriam Devora and Mattie Glass recall memories of a lost love, looking back at all the tumults of a modern love story with both rose-tinted nostalgia and near-insurmountable regret. The memories are chronologically scattered but immersive and moving nonetheless, covering everything from the fatal attraction of the hook-up stage to not being able to cut off communication after a breakup. All those gritty in-betweens are dissected in a way that leans into emotion while propelling the story of the album (and the relationship) forward. The erratic storytelling throughout All Again mirrors how memories of turbulent relationships often come back to you: a few good, most bad, but all leaving you with an unsettling feeling deep in your gut.

The record has a song for just about every emotional state you could find yourself in throughout a whirlwind romance, offering a little bit of everything in terms of genre, tone, and instrumentation. Producer Will Yip worked with Devora and Glass to create massive sounds with a more experimental lean which included bringing in Patrick Wall on drums and Andrew Nitz on bass. This results in an LP that utilizes everything from blown-out post-rock to twangy indie folk to build out the pieced-together world of this tumultuous relationship. 

All Again opens with “All My Friends,” an unexpectedly heartbreaking track that drips in good old-fashioned longing. It comes through as a jolt of reality, with the hook “All my friends around / but I’m not home,” emphasizing the type of loneliness that permeates all facets of your life after a breakup. The whole thing has a boygenius-esque sad rock spin (very “True Blue”) with chorused instrumentals that add a consuming intensity. Devora’s vocals cascade through the windy synth textures and warbling guitars, depicting the heartbreak that lingers for the rest of the record. With this first track, it’s clear that All Again begins at the end, tipping their hand and letting the listener know where this relationship ends before even giving you a chance to root for it. The certainty of heartbreak adds context to the songs that follow. It’s like a reminder to listeners: ‘Don’t let any of the following songs fool you, this all ended badly.’

Horny Hangover” immediately throws us back to the true beginning of the romance, speaking from a voice of anger and regret, like looking back and kicking yourself for not noticing all the red flags. The song has a grungy pop lean (like Veruca Salt’s anger mixed with Linda Ronstadt’s heartbreak) that gives Devora space to show off her wailing vocals, as if yelling at her past self. Yet no matter how many times the line “I don’t want you and I can’t stand you” is repeated, there’s something in the delivery that hints these words aren’t as emotionally detached as they may seem. 

The album continues in this ping-pong format, adding a frenetic energy of never knowing exactly where the next song will lead you. Sonically, “Karaoke” gives off all of those sweet feelings of new love until you realize we jumped forward in the relationship timeline again with lines like “The cart’s lighter at the grocery store / I can’t deal with people anymore,” and the idea of being so lost in your own heartbreak that you forget where you are and what you’re doing. It’s a ripper of a track that leans into the post-breakup crazies of trying to move forward without the person you thought would always be there. The shattering line “I’m a stranger to myself” is a gut punch, emphasizing just how much was given to this failed relationship. 

Mid-album cut “Neighbors” is a devastating look at insecurities and a need for reassurance that wasn’t being met. The lyrics “I want it clear / You still feel like we’re okay / That there’s no change” depict an image of someone sheepishly asking their partner if they still love them. Devora highlights a desperate need to be seen and validated that is not being met, yet one song later on “Let Me Forget,” we see her swiftly giving that assurance to her partner after a betrayal. This track paints a picture of someone willing to forgive their partner for just about anything because they’re scared to be alone. Strings, twangy acoustics, and haunting vocals make this one of the most excruciating yet beautiful tracks on the record and left me speechless, mouth agape at the amount of emotion put to one song.

Bitter Pill” provides a rocking emotional release of all the pent-up anger caused by the relationship’s torment. There’s a clear power imbalance at play that has come to a head. Lines like “I don’t wanna bend my mind to anybody’s will / I don’t need you to know what’s real” make it clear that Devora has separated herself from the relationship’s toxicity, something that can only be done with the healing powers of time. It’s a hard rocker with an explosive guitar solo from Glass that complements the angst and vengeance in the vocals. Not to mention, the hook is catchier than catchy: “I don’t want that bitter, bitter, bitter pill,” which I can already envision helping others release themselves from the grip of an unhealthy relationship.

Closer “Do It All Again” mirrors the opening melodies of “All My Friends,” highlighting the powerful cycles these memories hold and our inclination to repeat these unhealthy relationship patterns. The hummed melody of “All My Friends” is even more haunting on “Do It All Again,” sounding like it’s playing through a radio that adds distance and creates even more of a dream-like note to end the album on. The song’s sole lyric, “If I got to do it all again / I’d find you there like I did back then,” shows that even in hindsight, love and desire squash any anguish from the certainty of heartbreak. Maybe it was all worth it in some twisted way? We might have to cycle through the memories all over again to find out.


Cassidy is a music writer and cultural researcher currently based in Brooklyn. She loves many things, including but not limited to rabbit holes, Caroline Polachek, blueberry pancakes, her cat Seamus, and adding to her record collection. She is on Twitter @cassidynicolee_, and you can check out more of her writing on Medium

Lip Critic – Hex Dealer | Album Review

Partisan Records

> It is a Friday afternoon in May of 2024. Summer has yet to begin officially, yet the sun is punishingly bright as it tries to burst through the shuttered blinds of my home. I have attempted to counteract the blistering heat that awaits outside by running the a/c unit of my apartment into overdrive, yet it does not seem to be working: my insides are cooking. I am approximately eight minutes and twelve seconds into the thirty-one-minute runtime of Lip Critic’s debut LP Hex Dealer, and something is happening. 
> My heartbeat has gradually increased as each minute ticks by. I first noticed this reaction precisely four minutes and twenty-three seconds into this listening session, around the closing point of the opening track “It’s The Magic,” when I began to experience shortness of breath and a slight blurring in my vision. There is something living in this album. 

There is something simultaneously familiar and refreshingly new to a record like this, always the surest sign a band has at least the potential to become interesting if they are not right out of the gate. Lip Critic need not worry about the potential of being interesting; they sprinted right past potential quite a while ago with a series of EPs and singles dating back to 2019. Hex Dealer is, in many ways, the ideal form of a debut LP: it is a record that’s overflowing with ideas both musically and lyrically, the unmistakable sign of a band that’s spent years experimenting as they build up the anticipation for what a fully realized album by them could sound like. Now, Hex Dealer is here, ready to punish all who dare delve into Lip Critic’s world. 

> By the third song, my nose has started to bleed. It’s a slight drip, like an old faucet that won’t stop. I can feel my brain pulsating against my skull. It is trying to escape. There is no escape.

All that time I waited
Just to find out I’m from hell
I burn right through
My mortal shell

> It appears I blacked out shortly after my last audio log. The nose bleeding has intensified. Some minor cuts and scrapes have developed on my scalp. I can’t feel them, but I know they are there. I am going to attempt to continue from where I passed out before. 

What to say about a track like “Bork Pelly”? This is the first of two tracks on the record to feature guest verses from other vocalists (in this case, those guests would be GHÖSH and ID.Sus) and also the sort of track that is going to grab the inevitable, and frankly lazy, comparison to Death Grips. Why is it any time a punk band that draws just as much from hip-hop and dance music must always be compared to those titans of trolling? They certainly weren’t the first group to marry that cadre of sounds together. Is it just that they were the first to quote-unquote “breakthrough” to the mainstream? The first band of this ilk to get Pitchfork coverage and major festival slots? Probably. Almost certainly. But there is such a slice-of-life playfulness, not just to a track like “Bork Pelly,” but to all of the output from Lip Critic up until this point, that their sonic forebearers have seriously lacked. Sure, this album is populated with grimy, intense, breakneck-paced songs, but it is also a truly funny and engaging album. 

> There is a warbling synth embedded in the track “Spirit Bomber” that has shifted my pre-existing nausea into full-on illness. The way the notes gurgle has sent my brain into convulsions, though my body is completely still, paralyzed in fact. I am lying here on the floor of my bathroom, incapable of vomiting, but at this moment, for the first time in my life, there is nothing I would love to be able to do nothing more right now than just that. I can feel my organs shifting inside me.
> 47 seconds into “Death Lurking, one of the cuts on the back of my scalp has developed into a larger wound, though it does not hurt in the slightest. In fact, it feels nice to touch. 

> The high-pitched, scraping synth on “I’m Alive” feels akin to white noise, but if it physically hurt to listen to. I have pulled a small (about 3” in length and thin in diameter) bit of what appears to be wire out of the large unfeeling wound on the back of my head. It is covered in a viscous black goo that smells and tastes of nothing.

> The death metal-adjacent growl of “My Wife and the Goblin” feels like a moment of relief from the abuse my brain and body have endured until this point. The bleeding from my nose has stopped. I have continued to pull more frayed bits of wire of varying lengths from my headwound. 

> I have lost a tooth. My body feels like static. The pulse of album closer “Toxin Dodger” has given me the sweet release of vomit purging from my body. It is similar to the black goo that coated the bit of wire I pulled from my head wound. I can now feel bits of wire protruding through the skin on my palms and fingers. There is little of me left how I was before. My body and mind are not what they were. I pick at the wound on my head. It has gotten significantly larger. I can fit almost my whole hand in there. My entire body tingles with static as I pry and feel around gently. 

> There it is. The wire from where all of these bits I have pulled seemed to have originated from. It’s hefty feeling and causes my legs to spasm and pulsate when I grasp on it. I pull on the large wire that appears to be stuck to my brainstem. I tug at it ever so slightly as more and more unspools from the wound in my head. It feels good…
> It feels good. 

Jack Nelson is a writer, bartender, and former stand-up comedian (don’t hold that last part against him) based in Wilmington, NC. He can be found on Instagram and Letterboxd as @itsjackiekeyes. You will soon be able to see him in the upcoming mockumentary Soda Pop Spencer Storms Atlanta. All updates on that and future film projects can be found on the IG for the production company @punisher_skull.jpg.

Sailor Down – vacation (forgive me evan) | Single Review

Relief Map Records

Summer has never been my favorite season, which is ironic considering that I live in a state known for its endless beaches and near-eternal summer. I much prefer the cool embrace of our four days of fall, but instead, I’m stuck dealing with California’s five hundred days of summer heat. There are a few redeeming aspects of this season, though – one huge benefit is the opportunity to take day trips to the Bay Area and cooler northern coast. To me, one of the fun parts of these little road trips is curating the perfect playlist to set the mood for the drive. Luckily, up-and-comers Sailor Down have just the song to add: “vacation (forgive me evan).” 

Hailing from the East Coast, where summer is shorter and slightly more forgiving, Sailor Down is a four-piece ensemble headed by frontperson Chloe Deeley. Their music is described by Relief Map Records as “Kinsella-inspired,” mellow, folksy, and emo. “vacation (forgive me evan)” is the first single off Sailor Down’s upcoming EP Maybe We Should Call It A Night, and it’s the perfect song for hazy, cricket-scored summer evenings. With an album and an EP under their belt, Sailor Down has already begun to establish their sound. Tracks like “Bat Signal” and “Skip the Line” are warm and beautiful, decorated with charming synth melodies and guitar riffs.

On “vacation (forgive me evan),” Deeley’s soft and gentle voice, supported by cozy guitars and pleasantly buzzy drums, creates an atmosphere of wistful emotion. “Moon in the mirror orange as a citrus / Rain on the windshield following sound / We spent vacation overanalyzing / No one’s letting anyone down.” Poignant visuals like these are threaded beautifully through the song, creating a watercolor world for the listener to explore. Deeley continues to paint a picture as variations of these lyrics return throughout the track, telling a story of two people navigating the new emotions of a shifting relationship. 

Tell me how you picture time
If it’s linear, then I won’t mind
I’ve got something to say, and I’ll keep it
Until I’m back to the future tonight

Something is changing, rolling like a storm in
Rain on the windshield following sound
Happy to be here I am only hoping
No one’s letting anyone down

As I loop this track over and over, letting it hum through my headphones, I allow the warmth of this summer evening to embrace me. My mind wanders through a quiet suburb, side by side with the person I love. As the stars appear like little lanterns, I am singing: “Happy to be here, I am only hoping no one’s letting anyone down.” Maybe I’ll like summer a little more this year.


Britta Joseph is a musician and artist who, when she isn’t listening to records or deep-diving emo archives on the internet, enjoys writing poetry, reading existential literature, and a good iced matcha. You can find her on Instagram and Twitter @brittajoes.

Embracing The Collective: An Interview with Jess Hall of Oldsoul

Photo by Hannah Kuhn

When I think about bands that are defining true community and excitement for the DIY scene right now, Oldsoul is high on the list. Their most recent album was hands down one of my favorites from 2023, but not only are they incredibly talented artists, they are committed to fostering an engaging, welcoming vibe wherever they go. It’s a common occurrence to see their lead singer, Jess Hall, operating with an unrelenting positive energy anytime I log onto social media, constantly uplifting bands and sharing good vibes. I myself resonate so deeply with this mentality, so when Jess mentioned on Twitter that Oldsoul was open to interviews, I jumped at the chance to pick her brain. We dug into Oldsoul’s approach to their social media presence and checked in on how the band has been since their most recent LP, Education On Earth, released last year through Counter Intuitive Records.


SWIM: Hello, Oldsoul the band! How have y’all been lately? 

JESS: Hi, loves. We're doing fantastic, thank you so much for asking.

SWIM: Y’all are very publicly adamant about there being no space between “Old” and “soul.” For readers who may not know, where did the band name come from, and why so much passion for the spacing? 

JESS: Oldsoul was my “cellar door” as a kid. I always liked the way the word sounded when you said it out loud. Also, it's extremely unsearchable, and I was definitely not considering that as a young person coming up with a band name. My logic was that it would help make it more searchable...? Maybe...?

SWIM: Congratulations on the release of your third LP Education on Earth last year! Now that y’all have that record a good year or so behind you, what is next for the band? 

JESS: Thank you so much for all the love and support you've shown us over at Swim Into The Sound. We are so happy ya'll received it well. Since the release in August, we've been jumping around our favorite northeastern hubs to hang with our friends / make new ones / promote our banger of a record. We were even lucky enough to play Fauxchella VI in October (shout out Summit Shack). We're also hanging in Scranton, PA, for Good Things Are Happening Fest in August. Oh! And we're writing new music. Very exciting.

SWIM: Education on Earth has been described as “fighting your own inner demons and the pull of nostalgia.” In an era of seemingly endless attempts to harvest people’s nostalgia, what are the dangers of this to you as a band? 

JESS: Personally, I don't really find it too dangerous because, at the end of the day, Oldsoul writes music we like that other people can connect to, and that's what really matters to us. What I find "dangerous" is how fast the world moves and how hard it is for everyone to keep up with all the content being blasted at us. We consume too quickly, in my opinion. 

SWIM: There are so many layers to the music in Education on Earth that reward listeners for revisiting the album. Is that something you are thinking about as you write the music, or is it just the product of having so many musical ideas you want to fit into a project? 

JESS: Tom and I are big texture people. We love adding layers and theatrics to our music because A) it's sick, and B) it keeps our music interesting. We also have a lot of fun adding final on-the-fly touches with our good friend and audio engineer Zach Weeks. He is the Master of Tone and always brings out the best in our songwriting. We're very lucky to have had God City as our playground.

SWIM: What does “post”-pandemic songwriting look like for you as a band? You’ve described Oldsoul as “collaborative” and “a collective.” How does this translate to future creation within the band?  

JESS: Typically, Tom [Stevens] and I formulate initial ideas on our own and then build the songs together. Sometimes one of us will have a heavier influence over the other, but we like to make it a collaborative effort. I've been using the words "collective" and "collaborative" more to describe how it feels to be a part of Oldsoul Nation. We wouldn't be where we are today without the support and love from the people around us. A band is a team effort.

SWIM: You’ve seen a personnel shift in the band in recent years as well. How did y’all come to this current iteration? 

JESS: Dan [Sweeney], Cam [Chapdelaine], and Justin [Sterchele] have been some of our best friends and biggest supporters over the years. We've all known each other for a long time. Super talented and driven people who help bring out the best in our live performance. 

SWIM: I’ve noticed that you're pretty active online and interested in building out those online community spaces, which I’m always a huge fan of myself! Why do y’all feel it’s so important to have a more high-energy approach to your online presence?

JESS: We want people to feel the energy wherever and however they choose to interact with us. I also get extremely excited when it comes to anything music-related.

SWIM: Jess, I loved your contributions to the latest Jimmy Montague album! Is there a collaboration y’all would love to see in this current DIY scene, either for the band or in general? 

JESS: I really appreciate that. James is a genius, and it was an honor to work with him. I would do it again in a heartbeat. I could think of a million insane collabs that could happen, but I find it really cool when bands explore alter-egos / different versions of themselves, whether they revamp an older song of theirs or experiment with an entirely different sound.

SWIM: Genres and music styles are so fluid these days, with so many bands venturing into completely different genres than they’re used to. If y’all made a record in a completely uncharted genre for the band, what do you think that would look like?

JESS: Oldsoul goes metalcore or Oldsoul goes twangcore.

SWIM: As a born and bred Pacific Northwesterner, I’ve noticed y’all have made it around the US quite a bit but somehow missed us up here. Are there any plans to make it up to the PNW any time soon?

JESS: A dream to play the West Coast/PNW for real. With touring being so expensive and our band being the size we are, I’m not entirely sure when we'll make it there. Hopefully we can spread the good word and change that, though.

SWIM: Are there specific cities y’all love playing in when you’re on tour? Favorite venues?

JESS: Not sure how much of an answer this is, but it's hard for me to pick a favorite place. We've had so many cool experiences all over – each city and crowd of people bringing their own energy. Chicago and Austin are really cool. Good food.

SWIM: Y’all have released all of your LPs through Counter Intuitive Records and are label mates with so many other incredible bands. What are your favorite things about working with CI that have kept you coming back to release with them?

JESS: It's been great working with CI and watching them build their empire from the ground up. They are extremely kind and hard-working people who have fostered an incredible community around music. We love our fam.

SWIM: Thank you so much for taking the time to do this interview! Did y’all have any closing thoughts to leave us with? What should the online people know about Oldsoul right now?

JESS: Thank you for asking us!!! We appreciate people like you spreading the good word about what's happening in the DIY world of music and giving bands like us a chance to share about ourselves!!!!

Stay locked in, excited to show y'all what's next. Love you. Thanks again. 

Xoxo Jess.


Ciara Rhiannon (she/her) is a pathological music lover writing out of a nebulous location somewhere in the Pacific Northwest within close proximity of her two cats. She consistently appears on most socials as @rhiannon_comma, and you can read more of her musical musings over at rhiannoncomma.substack.com.