The Best of June 2021

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A (slightly delayed) roundup of the best releases of June from ska to stoner rock, plus a couple of easy album of the year contenders. 


Japanese Breakfast - Jubilee

Dead Oceans

Dead Oceans

Listening to Jubilee is like eating a cheesecake; it’s sweet, delicate, and best enjoyed when you savor every morsel. This is not a dessert to be scarfed down in one sitting over the kitchen counter, but a delicacy where each bite delights your palette in different ways. While Psychopomp was a brief but impactful album that saw Michelle Zauner grappling with the loss of her mother, Soft Sounds From Another Planet was a coping mechanism where that grief was filtered through a sci-fi lens and beamed in from some distant corner of the galaxy. By contrast, Jubilee sees Zauner trading the far reaches of space for a more grounded sense of serenity. However, joy, while hard-fought and well-earned, cannot exist in a vacuum. In order to genuinely experience happiness, one must open themselves up to a full range of emotions. Even with the record’s relatively sunny disposition, Zauner is realistic in the strides she attempts to make. Perfection is too far away, but lines like “I want to navigate this hate in my heart... somewhere better” illustrate an achievable middle ground. After two records of grief and self-consolation, Zauner is ready to reclaim her joy.


We Are The Union - Ordinary Life

Bad Time Records

Bad Time Records

You wake up to an empty apartment in Pasadena. You are trans, and the world is not your oyster. Ordinary Life follows We Are The Union singer Reade Wolcott’s gender transition and details all the feelings, events, and dynamics that come in the wake of such a seismic personal change. This is a story that’s told beautifully on-record but also through the band’s fun-loving music videos. From burying your old self to removing labels, each outing is a vibrant and lighthearted helping of summer ska. Ultimately, despite all the consolatory cigarettes, side-eyes, depression, and dysphoria, Wolcott achieves peace through the realization that she is “anything but ordinary,” and that is not only worth celebrating but worth every ounce of strife encountered along the way. 

Read our full review of Ordinary Life here.


ME REX - Megabear

Big Scary Monsters

Big Scary Monsters

In a landscape dominated by substanceless viral singles, blatant streaming bait, and otherwise uninspired artistry, sometimes you have to do things differently to stand out. What’s more, sometimes you have to be realistic about your listener. Not everyone will listen to your album, and those who do might not even make it all the way through. Maybe that’s why Megabear is such an exciting album. The debut record from the UK indie rockers is comprised of 52 different song “segments” that can be shuffled together in any order to form an infinite, endless loop of songs. It sounds like a gimmick, but the amazing part is that it actually works. Most of the tracks are sub-one-minute excursions, but that doesn’t mean there’s any lack of personality or charm. In a world where the concept of the “album” changes on a seemingly daily basis, it’s interesting to see an artist lean into breaking old formats and doing it so effectively.


Parting - Unmake Me

Count Your Lucky Stars

Count Your Lucky Stars

Unmake Me is an unassuming little album. A lightweight seven tracks clocking in at a collective 18 minutes and 23 seconds, it might be easy to mistake for an EP. What’s hiding behind the new band name, goofy song titles, and the swan-adorned cover is the musical talent of an emo supergroup composed of members from iconic acts like Empire! Empire! (I Was a Lonely Estate) and Dowsing. Together they join forces to craft a compelling narrative of loss and conflict in classic fourth wave emo style. The members’ tenure in other bands is impossible to miss; the instrumentals are tight, and the lyrics stick to your brain like glue. It’s easy to listen to Unmake Me and see “just another” emo album, but just a few spins will soon reveal the powerful force of humanity at its center.

Read our full review of Unmake Me here.


Lucy Dacus - Home Video

Matador Records

Matador Records

Aside from being one of the best albums of 2018, the last LP from Lucy Dacus centered around the idea of being a “historian.” Throughout the album, she uses the term to describe both herself and members of her lineage capturing each other’s lives through words and experiences. On her newest album, Home Video, Dacus puts this idea into practice with a collection of tracks that see the singer-songwriter holding her past up to the light and letting it bounce off like a disco ball. These memories take the form of basement makeouts, abusive parents, and friends settling in their relationships. All of these tales are delicately woven through Dacus’ velveteen voice, masterful guitarwork, and dynamic instrumentation in what is an easy shoo-in for one of the best records of 2021. 


Newgrounds Death Rugby - Pictures of Your Pets

Suneater Records

Suneater Records

I’m a simple man; when I hear a good riff, my brain is happy. Luckily, Newgrounds Death Rugby is here to supply the serotonin for me and every other emo like me with Pictures of Your Pets. The release opens with a mellow little guitar lick and toy piano, which welcome the listener into the record with a sense of childlike wonder. Soon lead singer Danny Jorgensen enters with vocals that feel reminiscent of long-lost emo side project Adventures. Overall, the songs on Pictures grapple with the same sense of innocence lost as many other emo records of its ilk, but through some combination of sincerity, charm, and technical skill, Newgrounds Death Rugby manage to make it all feel fresh.


Iceburn - Asclepius

Southern Lord

Southern Lord

The invitation was simple; “feel it’s mammoth power,” read the tweet from Southern Lord records. It turns out that was all I needed. A tweet from a label that I love promising mammoth riffs? Say no more. Even though it’s from a band I’ve never heard of, Asclepius delivers on every possible front. Containing two tracks clocking in at just under 20 minutes each, both songs on this album pummel the listener with dense, fuzzy stoner rock riffs that will have you bobbing your head along with the all-powerful groove. I discovered upon doing just a minimal amount of research that Asclepius is the tenth release from Iceburn and the first in 21 years. Even if you’re unfamiliar with the sand-covered Mad Max world of stoner rock, a reunion album that shreds this hard is worth your time. The riffs speak for themselves. 


Pom Pom Squad - Death of a Cheerleader

City Slang

City Slang

For nearly one century of media, the cheerleader has been one of the most persistent tropes in pop culture. Cheerleaders are always depicted as the most popular, attractive, and dominant forces in any school. They sit atop the social hierarchy and look down upon their fawning masses with a strange mix of pity and admiration. For a school full of teenagers, the death of a cheerleader would be tantamount to England losing their queen; it’s a loss that would make their respective domains stand still. Death of a Cheerleader takes this dynamic and upends it in a collection of 14 poppy indie rock tracks that reframe this all-too-familiar narrative with a definitively queer perspective. 

In its best moments, Cheerleader feels like an assembly of cult faves funneled through a pastel-colored pep rally lens. Whether taking visual inspiration from films like Heathers and The Virgin Suicides or channeling iconic left-field creatives like John Waters and David Lynch, the album still feels like it was created with a holistic perspective. Song topics range from things as heavy as questioning gender roles and weathering abusive relationships but still maintain the energy of a cheerleader facing the crowd during the first homecoming game. In the album’s most simple moments, the songs can feel like a reminder to allow yourself to indulge in rage or simply feel emotions in the first place. Most notably, a cover of “Crimson and Clover” sits smack dab in the middle of the tracklist, echoing Joan Jett’s famous gender-swapping cover from 40 years earlier. Whether consumed in one sitting or snacking on the album’s bite-sized singles, Death of a Cheerleader is an undeniable new landmark for queer poppy indie rock. 


Quick Hits

Holy Profane - Jettison Yr Dreams - The latest album from Holy Profane tackles disillusionment, disjointed memories, and the hangover of youthful folk punk idealism.

Danny Elfman - Big Mess - Essentially the closest we’ll ever get to a Nightmare Before Christmas sequel.

Sleater-Kinney - Path of Wellness - A back-to-basics course-correction after 2019’s disastrous The Center Won’t Hold.

Wolf Alice - Blue Weekend - Explosive and ever-shifting, Blue Weekend effortlessly winds its way from heartfelt ballads, soaring indie rock, and sneering punk rock with impressive finesse.

Migos - CULTURE III - The third entry in the Culture series comes after a trifecta of solo albums and omnipresent trap features over the last few years. It’s unwieldy, but it ticks all the boxes.

King Gizzard & The Lizard Wizard - Butterfly 3000 - In their second album of the year, the Australian rockers lean far into the synthy side of their spectrum for an MGMT-like psych record. 

Portugal. The Man - ULU Selects Vol #1 - Three stripped-down live cuts and an Oasis cover from the recently-ascendant Alaskan indie rockers. 

Dating - I Would Prefer Not To - Part shoegaze, part post-rock, part emo, part post-hardcore, the first album in eight years from the Swedish quartet sits at an intersection of genres that feels tailor-made for me. 

heavenly creature records - 1980 something: an 80s cover comp for no more dysphoria - A compilation of DIY greats covering their favorite 80s songs with all funds going to No More Dysphoria.

Good Beats Records & Ear Coffee - Simple Demands: A Hop Along Tribute - A collection of Hop Along covers with all proceeds will going No More Dysphoria and The Jim Collins Foundation.

Fuckin Whatever - Fuckin Whatever - A wonderful little EP from a supergroup comprised of Anthony Green (Circa Survive), Adam Lazzara, and John Nolan (Taking Back Sunday).

Rostam - Changephobia - The expansive and exploratory sophomore album from the ex-Vampire Weekend member.

Sufjan Stevens - Convocations - Returning to his earliest electronic tendencies, everyone’s favorite indie sadboy dropped a massive 49-track, five-part computerized release that stretches from inward meditations to outward celebrations. 

Slow Fire Pistol - Rabbit Town Blues - A five-track hardcore release that contains one of the coolest riffs of the year so far

Dikembe - Game Over - A career-spanning collection of 8-bit remixes from one of Florida’s forefront emo bands. 

Terrible People - Home, In A Way - An EP-length Singaporean emo album that will undoubtedly scratch that Hotelier itch.

COWBOY BOY - GOOD GIRL - With vocals that sound like Retirement Party’s Avery Springer, lyrics as relatable as Future Teens, and instrumentals that bring the bite of Diet Cig, GOOD GIRL is a catchy, anthemic, and personable collection of 12 songs. 

Options - On the Draw - Wrote and recorded in just a week, On the Draw is beautifully roomy with wonderful, dancy indie rock sensibilities.

Turnstile - TURNSTILE LOVE CONNECTION - A pack of three-and-a-half shredders from the hardcore punk act.

Angel Du$t - Bigger House - The once-hardcore band pivots further into softer 90-alt-rock-inspired sounds to great effect. Beautiful summer bops capped off with two remixes. 

The Mountain Goats - Dark in Here - John Darnielle and co. create another darn good Mountain Goats record that possesses a hunkered-down-in-the-bomb-shelter feel. 

Beabadoobee - Our Extended Play - Beatrice Laus teams up with The 1975’s Matty Healy for a bite-size EP of 90s alt-pop bangers.

Pure Noise Records - Pure Noise LoFi Punk Chill - Pop-punk goes lo-fi-hip-hop-beats-to-study-to featuring the best of the Pure Noise roster from Knocked Loose and Seahaven to Just Friends and The Story So Far.

Free Throw - Piecing It Together - As Free Throw approach their first decade together as a band, they continue to crank out high-energy emo that’s as moshable as it is relatable. 

Slow Pulp - Deleted Scenes - The porch-beer-friendly indie rockers revisit and reimagine two songs from last year’s excellent Moveys

Modest Mouse - The Golden Casket - A multicolored acid trip that grinds its way from off-kilter to optimistic in classic Modest Mouse fashion.

Jungheim - Songs That Piss Men Off - Nayla Maya continues to prove herself as one of the sharpest and most creative musicians with this collection of five loosely country-themed songs.

SPELLLING - The Turning Wheel - FKA Twigs, but witchy. 

Kevin Devine - No One’s Waiting Up For Me Tonight - Tender and wistful sentiments lie coiled at the heart of Kevin Divine’s new folky back-to-basics EP. Read our full review here.

Owen - The Avalanche Remixes - Emo Godfather Mike Kinsella turns his 2020 LP over to a host of conspirators and collaborators ranging from Jay Som to NNAMDÏ.

Olivia Kaplan - Tonight Turns to Nothing - Finally, Mermaid Rock is here, and it’s a glorious genre. 

Skatune Network - Burn The Billboard - Ska covers of pop songs, alternative rock hits, and ringtone rap. Checker-patterned chef’s kiss.

Tyler, The Creator - CALL ME IF YOU GET LOST - Tyler, The Creative drops the lounge singer heartbreak found on 2019’s IGOR and returns to the golden era of early 2010’s mixtape bars.

Faye Webster - I Know I’m Funny haha - Hushed vocals, slide guitar, and sentimental feelings are the foundation keeping Faye Webster’s excellent fourth album afloat. 

Wild Pink - 3 Songs - Another three songs from the heartland indie rocker who has already gifted us one of the best albums and some of the best covers of the year. 

Maple Glider - To Enjoy is the Only Thing - Naturalistic indie rock fit for the backdrop of campfires, lakeside chats, and beachside sunsets. 

Hiss Golden Messenger - Quietly Blowing It - Despite the objectively hilarious title, the umteenth record from Hiss Golden Messenger is a pleasant, unoffensive, and laid-back listen.

Drug Church - Tawny - Eleven minutes of borderline-post-hardcore that will satisfy all your brawny Title Fight desires. 

Squirrel Flower - Planet (i) - From desert flora to the far reaches of space, the latest from Squirrel Flower is a miraculous indie rock record.

Hurry - Fake Ideas - Somewhere between porch beer albums and emo rock exists bands like Sinai Vessel, Trace Mountains, and now... Hurry. 

Covey - Class Of Cardinal Sin - Personal tales woven into an emo-tinted singer-songwriter blanket.  

The Treacherous Experience on the Outskirts of Ordinary Life

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What is the everyday mundane? How does mundanity differ from person to person, and how do we cope with something that seems so simple? We’ve survived well beyond a year of the same monotonous process every single god-forsaken day. The difference is that this mundane has been coupled with a deadly everlasting pandemic for the past year and a half. Stuck in what feels like an eternity, the weight of being a cog in the capitalistic machine has never felt so close. We’re all chronically burnt out, questioning what we know, and breaking new ground despite everything weighed against our existence. For trans folks especially, this year has been one blow to healthcare and human rights after another. It is exhausting, but we have to push through all the heartbreak, the loneliness, the gender dysphoria, and the identity growth if we want to find a happy resting state. Through the chaos of our reality, self-reflection and acceptance nevertheless persevere. We must learn the hard way that running from ourselves only makes things worse. 

Trans people push through the mundane while consistently juggling the social encounters and internal processes that come with the experience of transitioning. It is conflicting thoughts and feelings that haze over the mind on a consistent basis. What do we do on days where this is especially prevalent, and all we can feel is how much we don’t fit the everyday process? How do we escape, and what are we escaping from? Coming out as a transgender woman, Reade Wolcott captures every emotion in her experience transitioning with an album jammed-packed with trans ska banger after banger. Showcasing the crushing weight of a cookie-cutter existence, We Are The Union finds happiness in coloring outside the gender binary lines and creating a reality that is far from ordinary. If you need that iced coffee and estrogen straight to the veins, then We Are The Union is here to provide all that, and a whole lot of serotonin with Ordinary Life

This album sends you full swing into a ska-filled summer with opening track, “Pasadena.” Right off the bat, the listener is hit with catchy lyrics of a failed relationship portrayed in a manner that everybody can relate to. With a mental state cracking and causing division and conflict at every turn, Wolcott sums up the feelings of being mentally ill in a long-term relationship. 

and it’s a shame
your secret smokes in the alleyway
to numb the pain
to escape the everyday mundane

What’s so fun about Ordinary Life is how successfully Wolcott writes about the transgender experience in ways that everyone can relate with. Through catchy ska-punk tunes, this album conveys how similar the existential dread feels from person to person. Despite the upbeat instrumental, this opening track foreshadows the depth Wolcott reaches in showcasing what makes that experience unique for her as a trans woman.

Wolcott’s ability to sing about the transgender experience through relatable anecdotes makes for a conceptual album that is handcrafted and delivered for queer fans while easily digestible for the cis fans. It is a widely accessible album that never falls short in poignant prose but doesn’t hide the transgender experience behind any curtains or veiled analogies. Each song is far from anything in the realm of the ordinary. Instead, they champion transparency and complete honesty to create an album that fully grasps the transgender experience for everyone to hear. Ordinary Life demands your attention and holds it for 35 minutes straight.

With the lead single, “Morbid Obsessions,” we are met with the album’s thesis. As showcased in the music video, this album is all about burying your old self, laying the relationships that don’t serve you to rest, and becoming brand new. The concept of transgender feelings as morbid obsessions is cunning, especially with the analogy of zombies used in the video. It brilliantly illustrates how an overwhelming majority of the public views transitioning as some fucked up fixation. The quite literal zombie-like feelings come from the alienation felt by trans people in a capitalistic society that wants to shut you out completely. The metaphor of the plague doctor as a bouncer symbolizes sexual control and police brutality towards LGBTQ people enacted by the state. It also shows the religious right-wing’s desire to eradicate the trans community entirely. This video depicts the intolerance that queer people face whether they’re coming out, actively transitioning, or expressing their gender.

When you’re trying to stuff gender-related feelings deep down inside, interacting with others is met with fear of accidentally confessing and outing yourself. The cleverness of this band is exhibited in the “No Zombies Allowed” sign at the bar where the video takes place. Feeling like a sore thumb, Wolcott turns to leave but is stopped by Jeremy “Jer” Hunter, best known for their slapping covers over on Skatune Network and carrying the We Are The Union brass section. Through storytelling, “Morbid Obsessions” gives us a glimpse into discovering and redefining your gender around the people you love. 

Jer’s role in this video is riddled with underlying experiences of living as a nonbinary person. As Wolcott made an entrance with every zombie trait on display, Jer’s features are more subtle and easily covered by a hood. The experience of living in the in-between is best captured with this role and conveys the similarities in gender non-conforming and trans identities. Although not privileged with the same abilities to pass, Wolcott forges camaraderie with Jer and fellow zombie Gracie Pryor. Together, they break the bar rules and defeat the plague doctor once and for all.

now in come the drugs
in come the drugs and the booze
razors, wrists, and self-abuse
trapped like a rat, got nothing left to lose
she wanted a dress
like all the other girls
a head full of curls
they said “son, you can’t always get what you want in this world”

Whereas bands like Home is Where weave feelings through intricate metaphors embroidered in extrospective observations, We Are The Union capture the trans experience from the inside out. It feels like the band is processing each new emotion as they unfold. 

This means every track possesses an introspectiveness sprinkled with a healthy amount of one-liners and humor. While Self Care sought to normalize mental health, Wolcott now takes on the task of normalizing the trans experience as a whole with Ordinary Life. The result is a record full of pop-punk melodies coupled with excellent 2-tone rhythms. It is honest, upfront, and genuine, with summer vibes bursting at every seam.

Best fitted for skanking your heart out in sweaty basements, Ordinary Life is a vibrant record that wears its heart on its checkered sleeve. The record’s sound is a far cry from the blacked-out, classic punk of Against Me!’s Transgender Dysphoria Blues, but is so rich with the trans experience and solidarity that it brought me right back to the first listen of that defining trans album. However, with each listen of Ordinary Life, it becomes clear that to compare We Are The Union to Against Me! would be an understatement. These are two bands for different moods and different parts of the process. Transgender Dysphoria Blues is the battle cry to transitioning with room to spare for letting out composed rage, while Ordinary Life is all about the messy in-betweens, fucking up, and dancing on the grave of your enemies and past self. 

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We’ve arrived at a new era of trans-lead music that blends genres while showcasing brilliance in so many different types of writing and creative endeavors. 100 gecs took the past two years by storm, and Left at London released a fantastic new album on the same day as We Are The Union, to just name a few. The art that these bands craft follow varying lyrical, instrumental, and electronic techniques that are consistently inspired by the ever-changing world around them. Bands featuring trans musicians are captivating the world, with brilliant music that sticks in your head for months but also provides an umbrella for fans who identify as trans or nonbinary and have never had such an array of relatable music before. 

Being trans is never black and white, and every song off of Ordinary Life is a trans anthem that beautifully reflects that nonlinear journey. This path always circles back to the extraordinary. Still, the record is also mired in the mundane experience of transitioning within a society that wants to file you down and stuff you into made-up, categorical gender norms. As a nonbinary person, I cannot possibly understand the extent of transitioning. Still, I hope my ability to relate to the feelings of being controlled by the gender binary until you finally reject it speaks for itself. The overwhelming comfort I felt hearing these songs goes to show the universality in navigating the gender experience.

afraid to disappoint
so i fail everyone around me

Attempting to suppress conflicting gender thoughts is an all-consuming process. Short-circuiting occurs when these disconnected thoughts jump in the way every time you try to speak. As a result, you end up feeling jumbled, which leads us into the next track entitled “Broken Brain,” which reinforces the concept of absent-mindedness. Dulling the brain to get through the everyday is a consistent theme throughout this album. For example, the band drops lyrics about using vices to cope with mental health that contrast with survival tactics and medicine that help Wolcott achieve self-actualization. In what is perhaps the most iconic line of the record, “please inject me with iced coffee and estrogen / we’re panicking again,” self-medication and hormones are followed by the overwhelming sensation of failing to escape the ordinary.

lists inside of lists, a labyrinth
how do people do the things they plan to?
lost the day again laying in the grass
sweating every conversation i’ve ever had

What is ska if its brass section can’t transport you to another world? Jeremy Hunter delivers on this album with a killer trombone that carries as much emotion as the lyrics themselves. What perfectly pairs with a diagnosis of depression and dysphoria? A horn section that sinks deep into your soul. Flanked by Tenor Saxophone, Baritone Saxophone, and multiple other trumpets, the brass section led by Jer is accompanied by Kevin and David Miller, as well as contributions from Scott Klopfenstein. The dynamic and emotive instrumentation on this album is not to be missed for the way it keeps you on your feet and sticks like glue to your brain.

With Ordinary Life, we get eleven tracks of unbeatable trans anthems tied together with themes of breakups, heartache, depression, and ADHD. The best part? This album provides the full range of emotions in equal parts universal and unique to Wolcott. In a BrooklynVegan interview, Wolcott touches on the goal to bring normalization of every emotion in an easy-to-grasp way that extends far beyond transgender struggles. She notes, “what I really tried to do was to frame the trans experience and frame dysphoria alongside things that are maybe more relatable to the general public, like heartbreak, like ADHD, depression, all the more common themes that we've kind of touched on in the past." Through this, we have a record that is dynamic, widely relatable, and full of songs for every mood that specifically hone in on the trans experience.

Are you feeling beat down, bummed out? Shaken all the good vibes out with the last few tracks and need to switch it up? “Make It Easy” is the love song of every queer’s dream. We got the perfect and undeniably adorable music video, catchy guitar and basslines, an alluring trombone, and Brent Friedman’s incredible percussions that act as the backbone of the tune, with Jer carrying the motif throughout. The drums featured in “Make It Easy” pull you in, push you out, and throw you back on your feet without missing a beat. The builds of the snare and floor tom in this song are sharply highlighted to make it feel like being lifted off the ground. These drums pair brilliantly with the crescendo of the trombone to close out the front half of this record with hopeless romanticism. 

When the needle hits the backside of the album, we are instantly met with a sensational syncopated nod to the roots of ska on “Boys Will Be Girls.” Complete with aesthetic references to Backstreet Boys, this tune breaks every single gender norm, gives a shout-out to nonbinary people, and smashes the deeply held fear of the trans community commonly upheld by the right-wing of the political spectrum. This single laughs in the face of fear. It laughs at the absurd notions held by small-minded people that being transgender is a plague or that the COVID-19 vaccine will turn kids gay or trans. Instead, “Boys Will Be Girls” is a triumphant and multi-colored celebration of the trans experience.

throw a tantrum, hold a sign
as the infantry arrives
we’ll take back the city tonight
the kids will be alright
your old ways will die
in the darkest depths we’ll stand here in the light.

The people who created and enforced the rigid gender binary are scared. As gender is the backbone of patriarchy, the threat of that crumbling invokes hatred towards trans and gender non-conforming folks. Old notions are left to retire as the common consciousness of gender shifts, with inclusivity and reason guiding the way. Forging new paths in identities that match the way we feel is the only way forward. 

From there, Ordinary Life winds from substance abuse on “Wasted” to finding solace in accepting the imperfect parts of your reality on “Everything Alone.” As the record winds its way to a close, the band ends with a rebuttal of the ordinary. Finally, after dredging through all of these feelings, mundanity, and coping mechanisms, Wolcott leaves the listener with a poetic articulation of the trans experience. 

change your clothes in the shadows
let nothing pass through lonely doorways
your sandcastle crumbles, but you’ve never been better
is it real if we don’t swim in the shame?

like a swing set in the sea
we are anything but ordinary

With these lines, We Are The Union charge forth in the undertow, looking for anything but the ascribed ordinary. Wolcott is triumphantly rejecting her ordinary, burying her past self, while using a garden as an analogy for sowing the seeds of a life that's anything but ordinary. As Wolcott so poetically sings, “the only difference between a garden and a graveyard / is what you bury in it.” With this, she finally lays her dying parts to rest, becoming brand new in the extraordinary. 


Ashley Bedore is a disabled, queer music lover living in Denver, CO. They can usually be found with a record spinning, head buried in theory, and cats on either side. As a sociology major and community organizer, Ashley enjoys discussing accessibility and collective care in the scene to foster spaces where every single body belongs. Follow them on Twitter at @emomarxist.