Hexing – In Tandem | EP Review

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Sometimes it’s the small things in life that resonate with us the most; the little acts of kindness, the unspoken acts of love, and the subconscious actions of others that end up staying with us for years to come. Hexing’s second EP In Tandem is a 20-minute collection of songs built around documenting these moments, encasing them in amber, and holding them up to the light for the world to see. 

Based out of the frigid, lake-adjacent Muskegon, Hexing is a five-piece rock band that blends emo, punk, and the occasional drop of melodic hardcore to a satisfying and emotionally-satiating result. The group’s newest release follows their 2018 EP Temporary and two-track single (fittingly) titled Everything is a Bummer. Seemingly having moved to a more positive mental state, In Tandem finds the group detailing their interpersonal relationships and putting words to the seemingly nondescript moments that end up meaning the world.

In fact, opening track “Car Crash” begins by throwing the listener directly into one of these lived-in moments of adoration. The song itself is a clear-eyed pop-punky track that shifts from emotive harmonies to trashy riffage at a moment’s notice, but the song’s first lines raise the curtains on a scene of confessional weakness. We hear our narrator recall a time when a loved one had to shepherd them home while they sat drunk in the passenger seat and sunk deeper and deeper into self-loathing.

I got drunk as you drove me home
so I didn’t have to be alone with my thoughts
so maybe I could feel a little less like me
cause the more I think the more I hate me

In addition to relaying these moments of personal connectivity, the other major through-line of the EP is aging out of a pre-determined mold and into something less defined. Throughout the release, the band finds themselves at a crossroads in life, stuck between their firey teenage punk phase and whatever comes after that. Lyrics like “running off what remains of my teenage fumes and decaying youth, cause I’m just not angry anymore” bottle up the all-too-familiar story of a once-punk teenager who has now reached their mid-twenties/early-thirties and looked around only to realize that they’re the oldest person in the basement.

But this newfound maturation also comes with a sense of happiness, because despite the uncomfortable (and non-negotiable) adjustment to getting older, Hexing still manages to find rays of positivity in the face of what could otherwise be complete collapse. On the goofily-named “Fleetwood Mac Sex Pants,” the band finds themselves adjusting to a more positive outlook on life… or at least a slightly less negative one. It’s a classic emo track in that the silly song name merely serves as a distraction from the surprisingly-mature sentiments on display in the lyrics as the band reiterates, “I’m getting used to feeling okay / it’s unnatural to not hate everything” in their most earnest and Wonder-Years-esque delivery.

Other highlights include the lead single “Swamp Thing,” which boasts hard-hitting screams, a driving drumline, and lyrics delivered through a defiant snarl accentuated by punchy palm-muted guitar riffs. On the opposite end of the tonal spectrum, “Sunday Mornings” builds off an emotive Balance and Composure-like guitar line that works its way up to a melodic and explosive post-rock finish. Throughout In Tandem’s 20 minutes, the band displays a unique ability to mix different subgenres and influences into one fluid presentation that makes them all seem effortless. These technical chops are backed up by the band’s grounded lyricism that any aging punk should easily be able to relate to.

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Growing up means making a lot of changes, not the least of which is figuring out how to adjust to your waning energy, passion, and drive. It’s easy to be an energetic teenager; it’s harder to be an energetic adult. We have more responsibilities, more to lose, and more people that grow to count on us over time. It’s shifting from ‘fuck yeah I’ll stage dive’ to ‘I think I’ll stand in the back tonight.’ It’s getting a good night’s sleep and eating right. That might not sound very punk, but neither is growing up. 

Rocky as they are, these types of changes are ultimately for the best because they’re signs of development and evolution. Getting better doesn’t happen all at once; it’s a long, ongoing, and sometimes painful process of incremental steps in the right direction. 

In Tandem is an album about loosening your grip and finding your place in the world. Obviously, the title and album cover both evoke a certain romantic notion, but the EP itself delves into all the specific ways that a relationship can live, thrive, and sometimes falter. Recognizing the role that people play in our lives is not to be taken lightly, and Hexing has done a masterful job of portraying the complex ways that these relationships exist. Nothing is perfect, and everything is changing, but that doesn’t have to be a bad thing.

A Very Sufjan Christmas is Back

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The following is a post from our sister site A Very Sufjan Christmas.
Follow us at
@SufjanChristmas on Twitter or @SufjanChristmas on Instagram to enjoy daily song write-ups this December!


It’s finally November, and that can only mean one thing: Sufjan Season is officially upon us!

This winter, A Very Sufjan Christmas will be returning for another post each day from December first until Christmas Day. It’s going to be the same drill as last year; every post will be penned by a different author who will be discussing a different Sufjan Christmas song. 

There will be sad posts, happy posts, nostalgic posts, long-winded posts, artful posts, and everything in between. Our contributors range from musicians, teachers, producers, and above all else, Sufjan fans. It brings me great honor to be able to share their Christmas spirit with you, and I sincerely hope that you enjoy reading these write-ups as much as I’ve enjoyed organizing them.

We’ve made the site super easy to keep up with. Each new write-up is uploaded directly to our home page (www.sufjanchristmas.com), so you can simply bookmark that URL (maybe even make it your homepage) and then visit it each day of December for a fantastic new write-up!

You can also follow us on Twitter at @SufjanChristmas, on Instagram at @SufjanChristmas, or even on reddit at /u/SufjanChristmas where we’ll be posting daily discussions of each article over at the /r/Sufjan subreddit.

If you’re just too excited to wait for December, you can always read back through last year’s posts here, or browse some of our supplemental reading material for additional Sufjan Christmassy goodness. 

No matter what your holiday looks like, whether you’re spending it alone, with friends, family, loved ones, or pets, we consider ourselves lucky to be even a small part of it. Whether you’re going to be in church, flying back home, or fighting your way through a shopping mall, we hope that this site will provide a small respite from the Christmas Chaos this December. As tiring and hectic as this time of the year may be, we hope that this site will serve as a reminder of the good that the holidays can bring. We hope that this communal showing of Christmas spirit helps you make it to the end of the year, or at the very least, will give you something to read as you avoid weird family members or find yourself stuck in line at the mall.

Once again, I am astonished not only by people’s willingness to contribute to this site and share their stories, but the fact that other people take their time to read what’s posted here warms my heart and fuels my Christmas spirit. I think I speak for everyone on the team when I say that you readers mean the world to us, so thank you in advance for a fantastic holiday season. We’ll see you all in December when our first write-up goes live.

Until then, Peace, Love, and Christmas Trees. 
Love, Taylor and the rest of the A Very Sufjan Christmas Staff.

Invite The Neighbors Podcast Interview

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Ever wondered what my voice sounds like? Ever wanted to know the origins of Swim Into The Sound? Do you want to know what my favorite thing I’ve ever written was? Well, the answers to those questions and more will all be revealed in the newest episode of Invite The Neighbors.

Bryan Porter of In A Daydream invited me on to his DIY podcast to discuss this very blog. We covered the first posts I ever wrote, the (questionable) first concert I was ever paid to review, and why I love doing this despite how much time, effort, and money it consumes.

So please give it a listen, and check out some of the other interviews. Thank you Bryan for the awesome chat, and for being such a gracious host. 

Give the podcast a listen on Apple Podcasts, Spotify, or through this link.

Colin Haggerty On Abraham 1:1-4

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Patience is hard for me. Songs come unexpectedly, and often in large numbers. Sometimes I find myself writing records-worth of songs in a few months. Clearly, those don’t all make it to light. Some make it into a solo set and die soon after, while others get put on the first draft of every record only to get pushed off as I write new things. 

Abraham is designed to be an avenue that is a little less serious, a lot less polished, and less thematic than Ship & Sail’s usual records. Abraham 1:1-4 was recorded on my phone, in my apartment, within 6 hours spread out over a handful of sittings. Most times, I did the next track on a song without listening to the last, and it is covered in improvisation and weird noises left behind by my coffee addiction or a cat looking for some pets.

A large part of the creative process of Abraham 1:1-4 was constantly listening to Dr. Dre and working with Tanner Ellis on his record and in my live band. The synth sounds and the surrounding production with minimal instrumentation from Dr. Dre was intriguing to me. I love the way the synth can simultaneously be the backbone and the forefront of a track he produces. Tanner has been able to show me how beautiful music can be made in endless different ways, and that I shouldn’t keep myself to one. 

On the Ship & Sail side of things, we have slowly but surely been recording LP2. I am so thrilled about these ten tunes. I am so excited about the growth I’ve felt with my lyrics and the overall message that this record brings. I am beyond excited to be able to have Mike Higgins, Tanner Ellis, and Anthony Zito working on it with me - as well as others - and having Sean Weyers produce it. In the meantime, I hope you enjoy Abraham.

Say Love,
Colin

 

Abraham 1:1-4 by Ship & Sail, released 19 October 2019 1. Ghost in the Machine 2. Philly Skyline 3. Mom's Garden 4. Service

 

The Menzingers – Hello Exile | Album Review

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I’ve been in the punk and hardcore scene since I was a sophomore in high school. I sold merch for local bands, and all my friends were either in bands or involved in the scene. I’ve seen people come and go, and I’ve made some of my closest friends to date through punk and hardcore. Punk and all its subgenres have shaped my politics and my world view, growing up in a conservative middle-class family, punk saved me from growing up and becoming a Republican. There aren’t many punk bands I’ve been able to grow up with, but that’s the reason The Menzingers holds a special place in my music collection. I was a fan of The Menzingers when I first heard On The Impossible Past during my senior year of high school. They instantly became the soundtrack to that year, and again in 2014 with Rented World, but it wasn’t until 2017 when After The Party came out that I realized this band was making music specifically for people like me. I’m not exactly 30 yet, but I related to every word of that album. I was simultaneously coming to terms with having a new group of friends and being pummeled by a failed relationship. As you could expect, listening to After The Party and watching the music video for the title track felt like one of those moments where art eerily imitated life. Now three years later, The Menzingers are back reminiscing on bygone days and being nostalgic about the former self with their newest album Hello Exile.

Buy and large, Hello Exile continues the sound of After The Party but also offers a newly-adopted sound that blends old guy punk with a beach rock-type sound. When the first couple singles “Anna” and “America (You’re Freaking Me Out)” dropped there was some fan backlash and criticism regarding the vocal mix, but after listening to Hello Exile dozens of times since release, I don’t even notice the mixing anymore because it fits so well with the band’s new friendlier sound. While After the Party may have been a gut punch, Hello Exile offers a much more mellow and relaxed feeling, though it’s still not short of any nostalgia that the band has become celebrated for. The album starts with a big political statement, addressing first the state of America, and the monsters that our parents voted for before tackling the idea of Christianity and politics being one and the same, and the idea of not shipwrecking life after your 30s.

Some of that iconic Menzingers nostalgia is seen on “Anna,” which feels like a pre-breakup song set during that awkward phase of knowing the breakup is just around the corner, but when you’re still attempting to savor those memories of when things were easier. We get a glimpse of that with the first verse as Greg Barnett recalls drinking too much cheap red wine and laughing while dancing in the kitchen. Then we see memories of moving in together, and later it’s revealed Anna has been absent for so long that the city of Philadelphia has changed, and all their friends keep asking about her. That emotionalism isn’t just seen in Anna, but also “Strangers Forever,” which was inspired by Leo Tolstoy’s classic novel, Anna Karenina. It presents the idea of a relationship ending and having to see that person again at a show, coffee shop, or just in your peripheral vision and deciding it’s best not to make eye contact and to stay strangers forever. Barnett sings with a bleak emotional outlook “Maybe it's for the better we both stay strangers forever, maybe  it's for the best we pretend like we never met, forget everything that we've ever known,” so even in the post-breakup heartache The Menzingers manage to find a reassuring peace. That reassurance is continued in the album’s title track “Hello Exile,” in which we see a summer romance that lasts for just a season, but whose memory lasts for a thousand years. And how, even years later, the singer still thinks of that summer love and it brings a smile to their face.

The album ends in true Menzingers fashion with “Farewell Youth,” which is a little bit of a slow burn, and one of those reasons I love this band so much. I moved from Los Angeles to outside of Nashville, Tennessee, and in my high school, I was the only punk around until I converted some friends into punks and hardcore kids. This song is essentially about exactly that, being one of a few punks in a city and growing up and then growing apart from those friends. The chorus is a call back to former you, with “farewell youth, I’m afraid I hardly got to know you,” and the rest of the song looks at being a punk in a small town, getting high while listening to favorite albums and drinking the cheap stuff. The album ends with a love letter to the days of youth and adventure, days when you tried to fit in by hanging out with the older kids. Days of desperately attempting to escape your hometown, whether that was driving to god-knows-where or just killing empty days in the basement of a friend's house.

 Hello Exile is an album for any punk who has found themselves growing up in the scene and asking yourself what’s next now that you’re older. While After the Party was about failing a relationship in your 30's, Hello Exile examines the dissociative nostalgia that comes with your 30's. It's an album dedicated to looking back at the person you were through the years and the continued search for the person you are continually growing into. Anyone who is experiencing a shift in life can find this album as a soundtrack because it covers everything from the American political landscape to remembering those days of summer love, and even getting high while listening to your favorite albums with your high school friends. Hello Exile by The Menzingers will be your soundtrack down memory lane. 


 

Just a 20-something former hardcore kid living in Nashville. Follow @EyeHateHockey (formerly EyeHateBaseball, but after the Dodgers elimination I’m done with baseball until April) on Twitter and Instagram for lukewarm music takes and bad sports opinions.