Symmetrix: Being There - Review

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Everyone’s truth sounds different. For some, it’s poetic confessions placed over a single acoustic guitar. For others, it’s expansive instrumental music that encapsulates what words cannot. For Marita Ryan, it’s hypnotic electronic music, soulful instrumentals, and inspiring words of personal belief.

Hailing from Melbourne Australia, Ryan began recording under the name Symmetrix back in 2013 with a vision of creating something that could combine both her love of electronica and indie pop, with a bit of rock music thrown in for good measure. Influenced by everything from 80’s synth-pop to alternative and shoegaze, Symmetrix has evolved into a unique fusion of indie and electronica in the vein of Half Waif or Hatchie.

Musical influences aside, Symmetrix’s upcoming album Being There is a wholly-unique and ever-shifting release that’s sure to surprise listeners of every musical background. Whether it’s the betrayal of a close friend, an ongoing battle with inner demons, or the impact of technology on our culture, Ryan’s lyrics run the gamut but offer a comprehensive sketch of everything that’s on her mind. 

All recorded over precise instrumentation, each song is a self-contained journey that sounds nothing like what’s come before it. From a radiant synth beat on “From Here On End” to a downright Frusciante-esque guitar solo on “Where Have You Gone,” the range of influences on display is vast and comprehensive. 

Everyone's journey is different, as is how we present it to the world. We’re lucky to live in a world where artists like Symmetrix can crystallize their truth for the rest of us to live through.